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THE MONEY PIT - 04/28/2006

Posted by Ken in Shopping Guides (April 28, 2006 at 1:57 am)

The weeks just seem to get longer and longer here at the ol’ FilmForce homestead, as we’re besieged on all sides by savages with only a shotgun and our principles to hold off the inevitable. As a wise songstress once said on a doomed ocean liner, there’s got to be a morning after, and I think I can get behind that hippie vibe. So what’s this week’s golden roll of items worth blowing your green on?

I’ve recently gone on a Big Figure kick – and if you’re unaware of what a “Big Figure” is, they’re basically huge collectible resin statues, usually in limited editions, of classic characters. There’s some really beautiful pieces out there that get this animation geek’s heart a’racin’, and I’d definitely recommend them to anyone with the means to snag your own, particularly some of the ones found over at the US importer for the line of European-produced Big Figs, King’s General Store (I did a Toybox feature on them a few months back). Go take a look.

It’s an almost bittersweet affair for this child of the 80’s to watch the classic episodes gathered in the new 4-disc Inspector Gadget set (Shout! Factory, Not Rated, DVD-$34.98 SRP). The late Don Adams is still pitch-perfect as the absent-minded animated take-off on his performance as Maxwell Smart, and these almost Clouseau-esque adventures fighting the machinations of the evil Dr. Claw. Kick back and dig in.

Compared to their old specials, there’s something regrettably pre-packaged and slight about Penn & Teller: Off The Deep End (A&E, Not Rated, DVD-$24.95 SRP). In this outing, the dynamic duo of magic have gone to the Bahamas, intent on performing their act on the beach and under the water – including a disappearing submarine finale. While there are flashes of greatness and the magic is still above par, the presentation feels like a cheap network package job, which is a shame – P & T deserve better. Bonus materials include deleted bits and behind-the-scenes footage.

At the rate their going, the Warner catalogue will be out on DVD in a matter of months. It may be a facetious statement, but it’s got the ring of truth due to the incredible speed at which their DVD department is releasing incredible (and large) box sets containing those aforementioned titles, with the latest featuring 5 titles billed as Classic Musicals From The Dream Factory (Warner Bros., Not Rated, DVD-$59.98 SRP). Those titles are Ziegfeld Follies, Till The Clouds Roll By, Three Little Words, Summer Stock, and It’s Always Fair Weather. As usual, they’re packed to the gills with bonus materials, including featurettes, vintage shorts, Warner cartoons, radio programs, outtake musical numbers, trailers, and more.

Even though it was only a fair adaptation of an evergreen Broadway classic (that has served as many a high school musical ), the big screen version of Guy and Dolls (MGM/UA, Not Rated, DVD-$24.96 SRP) is still a must-see spectacle, energized by iconic performances from Frank Sinatra and Marlon Brando. The new special edition sports a brilliant transfer, plus a pair of in-depth documentaries and a deluxe scrapbook. Make luck your lady tonight and give it a spin.

With the exception of M*A*S*H (which, in this set, is the single-disc edition), the four films contained in the new Robert Altman Collection (Fox, Rated PG/R, DVD-$39.98 SRP) can’t be considered some of the director’s best work, but for completists longing to fill out their Altman library on DVD, this remains an essential purchase. Those other three lesser lights are A Perfect Couple, A Wedding, and Quintet, and they all contain a featurette on their respective film.

For some reason, even after the confirmation of Woodward & Bernstein, there those that still doubt that Mark Felt, the former associate director of the FBI, was the legendary Watergate informant Deep Throat. As befitting the media age we live in, Felt’s 1978 memoir has been amended (with John O’Connor, the family lawyer that announced Felt’s identity as Deep Throat) – A G-Man’s Life: The FBI, Being “Deep Throat,” and the Struggle for Honor in Washington (Public Affairs, $26.95 SRP). Regardless of what you feel motivated his actions during the scandal, it’s a largely innocuous tale of his time in the FBI from a pivotal figure in American history whose memory, sadly, is largely lost to age and infirmity.

How often can you yell “HOOOOOOOOO” at the top of your lungs and not have it be in the least bit dirty? Embarrassing, yes, but that’s jut because you’ve sounded one of the geek clarion calls, and will probably be eager to pick up the first volume of the second season of Thundercats (Warner Bros., Not Rated, DVD-$64.98 SRP). The 6-disc set features the first 36 episodes of the 65-episode second season, plus a featurette on the music, a music video for The Rembrandts’ Thundercats theme song, and the theme song performed by composer Bernie Hoffer.

The Avengers: ‘62 (A&E, Not Rated, DVD-$59.95 SRP) takes us back to the seminal British adventure series’ second season, when Patrick Macnee’s John Steed was teamed with Mrs. Cathy Gale (Honor Blackman) and established the male/female dynamic that would carry the show into legend. The 4-disc set features all 14 second season episodes, plus a photo gallery.

Originally mounted as a benefit for AIDS research and relief, Red Hot + Blue (Shout! Factory, Not Rated, DVD-$24.98 SRP) is a brilliantly conceived tribute to the works of the legendary Cole Porter, featuring artists like U2, Tom Waits, Sinead O’Connor, Debbie Harry & Iggy Pop, Annie Lennox, and more, teamed up with directors from Jonathan Demme to Neil Jordan. The new 2-disc set also contains the soundtrack CD. Get this.

After watching the Victorian-era set episode of Doctor Who’s new series, it was fun to look at the real history (sans werewolves) found in the latest spotlight of PBS’s Empires series – Queen Victoria’s Empire (PBS, Not Rated, DVD-$24.98 SRP). Chronicling the height of Britain’s world reach and influence as a colonial power and a global force to be reckoned with.

Another PBS series, American Experience, takes a look back at The Boy in the Bubble (PBS, Not Rated, DVD-$29.98 SRP), the true story of David Vetter’s all-too-brief life in the iconic germ-free enclosure (he passed away at age 12), and the ambitious doctors and the scientific and ethical hurdles the case presented.

Unlike the still-wonderful L.A. Story and Roxanne, the adaptation of Steve Martin’s Shopgirl (Touchstone, Rated R, DVD-$29.99 SRP) – a little romantic comedy about a counter clerk (Claire Danes) who is wooed by both Martin and Jason Schwartzmann – just never seems to find a sure footing, vacillating between cliché and cute. The disc features a making-of featurette, an audio commentary from director Anand Tucker, and deleted scenes.

As much as I love Family Guy, I could never find any of that love for Seth MacFarlane’s American Dad (Fox, Not Rated, DVD-$39.98 SRP). Watching the 13 episodes featured in the 3-disc first volume, I kept getting the same sense of déjà vu I got when I first saw the pilot years ago – this is Family Guy, for all intents and purposes, with the thin veneer of another concept tacked on. Bonus materials include commentaries on 12 episodes, behind-the-scenes featurettes, a table read and animatic, deleted scenes, and more.

I’m usually not one for arthouse flicks, but I did enjoy Dandelion (Hart Sharp, Rated R, DVD-$26.99 SRP), a poignant little character piece starring Vincent Kartheiser about a young man who discovers love – a concept hereto unknown to him.

Much like Tomb Raider before it, the big screen take on Aeon Flux (Paramount, Rated PG-13, DVD-$29.95 SRP) fails to capture any of the straightforward edge and charm found in the original source material, in this case the animated shorts that started so long ago as part of MTV’s Liquid Television. Instead, we get Charlize Theron trying her damndest to act like a cool-as-ice action star in a bloated visual mess with a wafer thin script. Sad, really. The disc features an audio commentary with Theron and producer Gale Anne Hurd, a commentary from screenwriters Phil Hay & Matt Manfredi, 5 behind-the-scenes featurettes, and the theatrical trailer.

Short-lived and unfortunately tedious, I could never bring myself to fully invest any interest in Showtime’s Odyssey 5 (Sony, Not Rated, DVD-$49.95 SRP). As a concept, it should have been great – a space shuttle crew orbiting Earth witness the Earth’s destruction, before being offered the ability to travel back in time 5 years by a mysterious stranger and, perhaps, prevent the disaster. What the series did have going for it, though, was Peter Weller as our hero, Commander Chuck Taggart – but even Buckaroo Banzai couldn’t save this ship. The 5-disc complete series set features all 19 episodes, plus audio commentary from Weller and creator Manny Coto on the pilot.

Get the entire run of A&E’s crimefighting heir to Sherlock Holmes via Nero Wolfe: The Complete Classic Whodunit Series (A&E, Not Rated, DVD-$99.95 SRP). The 8-disc set features all 20 full-length episodes, plus the pilot film. Bonus features include a making-of featurette and the double-feature episode “The Silent Speaker” in anamorphic widescreen.

Law & Order: Trial By Jury (Universal, Not Rated, DVD-$59.98 SRP) was the point at which NBC decided that it had finally reached the saturation point on Dick Wolf’s lucrative franchise. Designed as a spin-off vehicle exploring the judicial system in the L&O universe and starring L&O vets Jerry Orbach and Fred Thompson alongside newbie Bebe Neuwirth, it suffered immensely by the untimely death of Orbach due to cancer. Given time, though, I’m sure it would have been a solid show, as these 13 episodes attest. The 3-disc set also features deleted scenes, a behind-the-scenes featurette, and the cross-over episode of L&O: SVU, “Night.”

Names like Gorgeous George, Killer Kowalski, and Jerry Lawler can be found in the 2-disc Glory Days of Wrestling (Timeless, Not Rated, DVD-$9.98 SRP), which features archive footage of these legendary lords of the canvas… Though, sadly, Andy Kaufman is nowhere to be found.

Stacey Keach stars as Mickey Spillane’s hard-boiled Mike Hammer in a TV movie double feature of Murder Me, Murder You & More Than Murder (Sony, Not Rated, DVD-$19.94 SRP). The 2-disc set is featureless, but come on – it’s Mike Hammer. You don’t need no stinkin’ features.

Comments: None

THE MONEY PIT - 04/21/2006

Posted by Ken in Shopping Guides (April 21, 2006 at 1:54 am)

Another long week here, and another shopping guide packed to the brim with knickknacks both audio and visual to blow your hard-earned ducats on…

I don’t know about you, but I’ve been anticipating the release of the next Pixar flick since the lights came up after Finding Nemo Still, I’ve found it hard to fully engage my enthusiasm with any of the previews I’ve seen of John Lasseter’s Cars… Perhaps because I’m not a huge car buff, and Disney cuts rotten trailers for the Pixar flicks (I wasn’t jazzed when I saw the previews for Monsters Inc. or Finding Nemo, either). Still, my heart did begin to race as I flipped through the concept artwork found in The Art of Cars (Chronicle Books, $40.00 SRP). As with the previous Pixar Art Of books from Chronicle, there’s plenty of gorgeous pieces to be found in this (literal) road movie, and I think I may finally be feeling enthusiasm to accompany the anticipation.

Conducted prior to his most-recent Himalayan jaunt, Michael Palin: Sahara (BBC, Not Rated, DVD-$34.98 SRP) finds the ex-Python deep in the arid heart of Africa, crossing deadly terrain (and sometimes even more dangerous political territory) in another of his always enjoyable travelogues. Unlike the health issues that threatened to derail his journey into the Asian mountains, it really was the various countries within the Sahara that were the moist pressing risk to life and limb, but Palin manages to navigate them while encountering the fascinating peoples, cultures, and customs within. Bonus materials include an interview with Palin, deleted scenes, and a behind-the-scenes featurette.

Sporting a brand new face and a whole lot of energy, the third season of Roseanne (Anchor Bay, Not Rated, DVD-$39.98 SRP) is a well-oiled comedy machine, spotlighting not only its namesake dynamo, but every other character in the domestic goddess’s orbit. PMS, the facts of life, weird D.J., Nana Mary (Shelley Winters), and more mark a truly wonderful season. The 4-disc set features all 25 episodes, plus interviews with Laurie Metcalf & Lecy Goranson.

When the moon hits your eye like a big pizza pie, that’s Moonstruck (MGM/UA, Rated PG, DVD-$19.94 SRP) – one of the best romantic comedies to come out of the 80’s, and the flick that more than earned Cher her Oscar as a superstitious Brooklyn widow searching for true love. The new special edition features remastered sound and picture, an audio commentary (with Cher, director Norman Jewison, and writer John Patrick Shanley), a retrospective documentary, a featurette on the music (including the iconic use of Dean Martin’s “That’s Amore”), and an interactive food map of Little Italy.

Six Pack (Anchor Bay, Rated PG, DVD-$14.98 SRP) is by no stretch of the imagination a good flick. In fact, it plays like a southern fried Bad News Bears, starring Kenny Rogers as a stock car driver who becomes ward to a family of thieving orphans he catches boosting his engine, who just so happen to be on the run from the crooked Texas sheriff cliché. Having said all that, I love this little redneck Nascar gambler gem, mainly because it was one of the video discs (Selectavision, yo) my family owned when I was a kid, and would get endless play. We are the adults our childhoods make us, and I am so very ashamed… and so very happy to have this movie on DVD.

Van Morrison was one of those artists who I knew about for years – and who hasn’t heard “Brown Eyed Girl”? – but I never dove into his output like I should have. When I finally did absorb his catalogue, I learned what everyone else already knew, which is what a phenomenal artist he is. His latest, Pay the Devil (Lost Highway, $13.98 SRP), is a country-flavored delight that proves Van keeps rolling along.

While not among their finest work, any Laurel & Hardy on DVD is much appreciated, and that includes the TCM Archives: Laurel & Hardy Collection (Warner Bros., Not Rated, DVD-$39.98 SRP), which contains The Devil’s Brother and Bonnie Scotland. The 2-disc set also sports the feature-length documentary The Hollywood Shorts Story, commentaries from L&H fans Richard W. Bann & Leonard Maltin, excerpts from other L&H classics, and intros from TCM host Robert Osborne.

Reading modern science fiction is like wading through molasses – really, it’s hardly worth the effort. So much of it is bogged down in either too much science or too much lousy writing. Science fiction comedy is in an even worse state, still feeling the loss of Douglas Adams. Thankfully, John Swartzwelder knows how to pull it off, and his latest – How I Conquered Your Planet (Kennydale Books, $15.95) – is a gem. If it wasn’t, I wouldn’t have blown an entire night reading it cover to cover. Just go and buy the damn thing already… And snap up his first two tomes while you’re at it…

In the Brit Gangster Flick Hall of Fame, a place most assuredly is reserved for Bob Hoskins’ brutal performance as underworld boss Harold Shand in The Long Good Friday (Anchor Bay, Not Rated, DVD-$19.98 SRP) who finds himself under-the-gun on the eve of the ultimate deal as all hell breaks loose within his organization. Bonus features include an audio commentary with director John Mackenzie, a making-of featurette, and trailers.

Before Bond, Pierce Brosnan was Steele… Remington Steele, the suave PI who, with partner Laura Holt, solve globe-spanning mysteries and tried not to be too much like Moonlighting. Remington Steele: The Complete Third Season (Fox, Not Rated, DVD-$39.98 SRP) features 22 episodes across 4 discs, plus audio commentary on select episodes, behind-the-scenes featurettes, and character profiles.

More guilty pleasure TV-on-DVD coming down the pike courtesy of the complete fourth season of Neil Patrick Harris’s medical tour-de-force, Doogie Howser, M.D. (Anchor Bay, Not Rated, DVD-$39.98 SRP) and the 5th and final season of the “they stopped being believable high-schoolers in the first season” Fox hit 21 Jump Street (Anchor Bay, Not Rated, DVD-$34.98 SRP). Doogie features brand new interviews with stars Lawrence Pressman & Kathryn Layng, while 21 Jump Street contains an audio commentary with Peter Deluise.

And speaking of guilty pleasure, don’t forget to knock on the door of the complete sixth season of Three’s Company (Anchor Bay, Not Rated, DVD-$29.98 SRP), as it’s been waiting for you, replete with the eternally funny Don Knotts and his priceless bug-eyed takes. The 4-disc set features the Lucille Ball presented best-of special, an episode in Polish, and an audio commentary with director Dave Powers.

There are only a handful of comedians who can summon palpable levels of pointed outrage within their acts without dropping off into caricature before making the audience both laugh and see the truth in their observation – a particularly dangerous minefield if your comedy is often political, as well. Lewis Black is one of those select few who can pull it off, and the CD of his Carnegie Hall Performance (Comedy Central Records, $13.98 SRP) is the perfect document of a topical comedian firing on all cylinders.

I hate to admit it, but as soon as I stumbled across my first episode in PBS’s series placing a modern family into a period home – and forcing them to live as a family lived in that period, sans modern conveniences – I was hooked. A trio of those addictive slices of history meets The Real World have made their way to DVD – Colonial House, The 1900 House, and 1940’s House (PBS, Not Rated, DVD-$34.98-$49.98 SRP each). My favorite would have to be 1940s house, which compresses 6 years of war on the British homefront into two months, through the Blitz and on to Victory Day. Of the three releases, only Colonial House contains bonus features, including auditions, additional diaries, and a making-of featurette.

Speaking of documentaries, another one that caught my eye was an epic four-hour one focusing on the French and Indian War (1754-1763), one which I’d always heard about, knew was important, but had never understood fully. Well, The War That Made America (PBS, Not Rated, DVD-$39.98 SRP) cleared everything up, and certainly makes the case for its title.

After seeing his mind-bending art my entire life, it was nice to finally get a sense of the man behind it via The Fantastic World of M.C. Escher (Acorn, Not Rated, DVD-$19.99 SRP), a succinct little documentary featuring interviews with people who knew him and mathematicians, plus digital recreations of his work.

The BBC continues with their recently resuscitated adaptations of classic literature with Edith Wharton’s The Buccaneers (BBC, Not Rated, DVD-$14.98 SRP) and Thomas Hardy’s Under The Greenwood Tree (BBC, Not Rated, DVD-$19.98 SRP). Even better, they’ve hit upon a formula for these new adaptations that remains faithful to the source material while seeming fresh and vibrant to modern audiences (who, sadly, loathe books). Both discs feature behind-the-scenes material.

After a recent jaunt to Disneyland and a spin on the park’s Indiana Jones ride (and the obligatory purchase of my very own fedora), I was jazzed to take a look at the recent release of a pair of the 1930’s serials that provided inspiration for Lucas & Spielberg – The Master Key and Tim Tyler’s Luck (VCI, Not Rated, DVD-$29.99 SRP each). All of the high adventure is there, along with exotic locales and even Nazis. Both releases are must-haves.

While you’re at it, why not dip into a trio of Western serials, with Lloyd Bridges as The Tall Texan, and Johnny Mack Brown in The Oregon Trail & Flaming Frontiers (VCI, Not Rated, DVD-$14.99-$29.99 SRP each). Giddyap!

There’s something train wreck engrossing about the modern artform of courtroom sketches, featured so brilliantly in Captured!: Inside the World of Celebrity Trials (Santa Monica Press, $24.95 SRP). From O.J. and Jacko to Charlie Sheen and Courtney Love, the art of Mona Shafer Edwards brings back many a CourtTV memory.

Event Horizon is not a good movie. In fact, it’s awful. However, it’s awful in that kitsch, overblown, train wreck fashion that makes viewing it embarrassingly compelling. So compelling, in fact, that it’s become enough of a cult flick that a 2-disc special edition has been released (Paramount, Rated R, DVD-$19.99 SRP) featuring an audio commentary with director Paul W.S. Anderson & producer Jeremy Bolt, a 5-part making-of documentary, a featurette on the filming, a look at an unfilmed rescue scene, conceptual art, and trailers.

I’m still not a fan – and boy have I tried – but there are plenty of you other there who have been anticipating the release of the second season of the Sci-Fi Channel’s animated comedy Tripping the Rift (Anchor Bay, Not Rated, DVD-$19.96 SRP). Well, here it is, in a 2-disc set featuring all 13 episodes, plus a promo, outtakes, and a behind-the-scenes featurette.

Get your schlock on this weekend with It Waits (Anchor Bay, Rated R, DVD-$19.98 SRP), a of low-budget horror flick from producer Stephen J. Cannell. Ain’t is just a pain when you’re hunted by a beast of Native American legend whilst deep in the woods?

Comments: None

THE MONEY PIT - 04/14/2006

Posted by Ken in Shopping Guides (April 14, 2006 at 10:50 pm)

First of all – I don’t do things like this often, but please click here and give what you can to a very, very good cause.

And now back to regular programming…

Welcome to another coffer-draining edition of The Money Pit – your one stop spotlight on every a/v knickknack sure to whet your appetite for time-passing purchases. It’s been another wild and wooly week here at casa de Ken P., but hopefully you all have enjoyed the latest Ken P.-D. Snydecast (back after a long hiatus which was *completely* Dana’s fault) and will get a kick out of some surprises in store next week. Until then, let’s get this mother going…

The period covered within the 5th volume of The Complete Peanuts (Fantagraphics, $28.95 SRP), 1959-1960, was the year that all of the familiar elements that would sustain the strip for the rest of its 40 year span would finally come together. Snoopy’s flights of fantasy increase, Charlie Brown’s little sister Sally is born, Lucy begins to dispense nickel psychiatric help, Linus hopes for the arrival of the Great Pumpkin, and it is remarked that “Happiness is a warm puppy.” Charles Schulz’s art has begun to settle in as characters take on familiar forms (the only characters still in flux are Charlie, Snoopy, and little Sally, who will grow from baby to Linus-loving toddler in no time flat), while his writing has crystallized to perfection. In fact, the humor is razor sharp, and carries a sting to it – this is clearly the strip of a man full of self-doubt and stricken by frequent bouts of depression, as Charlie Brown’s world is a surprising constant of scorn and failure with brief flashes of simple pleasures breaking through the gloom (see the aforementioned “warm puppy” comment). I can’t tell you just how much I enjoy reading the strip chronologically and watching it evolve over the years, and all due kudos to Fantagraphics for keeping these coming at a fast enough clip that I don’t jones for too long.

Shockingly, Rising Damp is a British comedy classic that never took hold in the US like Fawlty Towers, Are You Being Served?, or Keeping Up Appearances – which is unfortunate, because it’s truly legendary Britcom that is equally as funny as any of Basil Fawlty’s adventures. Starring Leonard Rossiter as lovably loathsome landlord Rigsby, who treats his tenants similar to how Fawlty treats his guests and Archie Bunker treats his family. Luckily, the first two series are available on DVD (Acorn, Not Rated, DVD-$24.99 SRP each). Go forth and find them.

Polish off the shot glasses and prep yourself for another spirited round of “Hi Bob!” with the release of the complete third season of The Bob Newhart Show (Fox, Not Rated, DVD-$29.98 SRP). How much liquor will you consume this season? The 3-disc set features all 24 episodes, plus audio commentary on select episodes and a brand-new behind-the-scenes featurette.

Spring is here, and there’s no better way to ring in the arrival of April showers than with the latest issues of Uncle Scrooge & Walt Disney’s Comics ($6.95 SRP) – #’s 352 & 667, respectively. Scrooge features one of Carl Barks’s later classics, “Isle of the Golden Geese.”

Now that I’ve got a small nephew, I’ve endeavored to shape his cultural education by sitting him down in front of classic kiddie fare that trumps much of the pap being shoveled at kids today. Helping things along is Disney’s bargain-priced series of Classic Cartoon Favorites (Walt Disney, Not Rated, DVD-$14.99 SRP), each featuring a clutch of old school Disney fare starring their top toon talent. The latest collections (Volumes 10, 11, & 12) are themed as “Best Pals,” and feature the pairings of Donald & Daisy, Mickey & Minnie, and Mickey & Pluto.

I still miss Dave Attell’s Insomniac – one of the greatest travelogues ever – but at least we get a taste of it in the Insomniac Tour: Uncensored (Paramount, Not Rated, DVD-$19.99 SRP), which features stand-up from Attell, Greg Giraldo, Dane Cook, and Sean Rouse live in Vegas. The disc contains an additional 15 minutes of footage excised from the original broadcast, plus additional backstage, Vegas, and after party footage.

With over a hundred issues worth of series and mini-series, plus trades, under its collective belt, the Star Wars universe in comics has accumulated quite a bit of history outside of the films. If it all seems a bit confusing, then you might want to pick up a copy of Star Wars: The Comics Companion (Dark Horse Books, $19.95 SRP), which features chronological summaries of the every comic book story based in that galaxy far, far away, plus trivia and notes on both chronology and contradictions. If the art of those books appeals to you, then you might also want to snag a copy of Star Wars: Panel To Panel (Dark Horse Books, $19.95 SRP), which does for the visual legacy of Star Wars in comics what The Comics Companion does for the stories themselves, featuring an overview of the various artists and styles that have graced those numerous tales.

Tom Cruise is a freaking loon, yes, but at least as recently as the first Mission: Impossible, he could pull off an action flick without me constantly thinking, “Crikey, he really is a freaking loon.” Just in time for M-i: III, we get a brand new collector’s edition of the original (Paramount, Not Rated, DVD-$19.95 SRP). Cruise along with a retrospective on the franchise, featurettes, trailers, and incredibly creepy Cruise-centric montage featurettes.

By the time we got to the 5th season of In Living Color (Fox, Not Rated, DVD-$39.98 SRP), it was clear that the show was over. The Wayans family was gone, new addition Chris Rock wasn’t funny yet, and Jim Carrey was just marking time until he could get the heck out of there.

While I found his book on the art of the storyboard to be interesting, my heart really belongs to Don Bluth’s latest book, The Art of Animation Drawing (DH Press, $14.95 SRP). Maybe it’s because I’m a sucker for the artistry behind hand-drawn animation, or just that The Secret of Nimh still holds a place in my heart. Either way, Bluth’s book is informative, easy-to-understand, and engaging enough to be a useful tool for anyone wishing to dive in and try their hand.

Roald Dahl’s severely underappreciated Brit anthology series Tales of the Unexpected (Acorn, Not Rated, DVD-$39.99 SRP) gets another 20 episodes via a 4th collection filled with macabre twists that would make Hitchcock proud, sans the heavy-handedness of your average Twilight Zone outing. If you’ve yet to give this series a spin, by all means do so.

Like both Chocolat and The Cider House Rules, director Lasse Hallstrom brings a languid, almost somnambulic dignity to An Unfinished Life (Miramax, Rated PG-13, DVD-$29.99 SRP), a romantic drama about a rugged man (Robert Redford) in a rugged land (Wyoming) who lives with his best friend (Morgan Freeman), and whose life is turned upside down when the woman he blames for his son’s death (Jennifer Lopez) arrives broken and broke on his doorstep with the granddaughter he’s never known. The DVD features an audio commentary, a making-of featurette, a look at how they trained Bart the Bear, and the theatrical trailer.

It’s by no means the best he was capable of, but Jack Kirby’s Silver Star (Twomorrows, $19.95 SRP) is a visual delight, and even more impressive by its presentation in pencil form via this “Graphite Edition” of the 6-issue limited series originally published by Pacific Comics in the early 80’s. As originally conceived, Silver Star was a film pitch, and Kirby’s original treatment is also within the TPB. By golly, that art is stunning.

Just when you think you’ve got everything from a given screen legend, you find a new batch of flicks creep up out of the earth and command your attention. A trio of golden age film stars are the subject of the Classic Double Features (VCI, Not Rated, DVD-$4.99 SRP each) – Edward G. Robinson, Betty Hutton, and Edmond O’ Brien. Each disc contains a pair of remastered features any cineaste will want in their collections. The films in question are The Red House & Scarlet Street for Robinson, D.O.A. & The Hitchhiker for O’Brien, and The Stork Club & Perils of Pauline for Hutton.

I get a kick out of biographies on filmmakers, and I’ve been waiting a good long while for a really great one focusing on the master of suspense, Alfred Hitchcock. My wait is over with the publication of Charlotte Chandler’s It’s Only A Movie: Alfred Hitchcock – A Personal Biography (Applause Books, $16.95 SRP). Check it out and see what I mean.

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THE MONEY PIT - 04/07/2006

Posted by Ken in Shopping Guides (April 7, 2006 at 1:45 am)

Another year, and the time lords have stolen another hour from my life, bartering it for more daylight and the promise of its return come the fall. I think the time lords are liars and cheats, and I want that hour of sleep back… granted, I was awake anyway, but that doesn’t matter. Damn time lords. Damn them.

For years, fans of Mel Brooks have been taunted with rumors that the missing titles from his library were finally coming to DVD. Every few months, we were told we’d be getting Silent Movie, or High Anxiety, or Robin Hood: Men In Tights, or To Be Or Not To Bet (the remake of the Ernst Lubitsch near-classic, co-starring Brooks and his late wife, Anne Bancroft)… But then nothing would materialize. I’d given up hope, frankly, when the coming of the Mel Brooks Collection (Fox, Rated PG/G/R, DVD-$99.98 SRP) was announced. After realizing that it wasn’t a hoax, I was ecstatic – IT WAS ABOUT D*** TIME! Containing brand new transfers of High Anxiety, Robin Hood, Silent Movie, The Twelve Chairs, To Be Or Not To Be, and the previously available Young Frankenstein, Blazing Saddles (the lone Warners title), and History of the World: Part I (which is looking much nicer in anamorphic), it’s a set to be reckoned with. Noticeably lacking are Brooks’s MGM titles – The Producers, Life Stinks, Spaceballs – and Warners’ Dracula: Dead and Loving It. I would have loved more bonus features than the pre-existing materials from Frankenstein & Blazing Saddles, as the only other items of note are the HBO behind-the-scenes special for Robin Hood and some vintage interviews on To Be Or Not To Be. Ah well – at least we finally got the flicks…

While you’re at it, though, make sure you pick up a pair of comedies written, directed, and starring Gene Wilder, both from the same fertile 70’s period, The World’s Greatest Lover & The Adventure of Sherlock Holmes’ Smarter Brother (Fox, Rated PG, DVD-$14.98 SRP each). Transporting much of the Brooks supporting cast – including Dom DeLuise, Madeline Kahn, and Marty Feldman – they’re overlooked comedy gems well worth re-discovering. Both flicks feature audio commentaries from Wilder, plus the original theatrical trailers.

Just so you know, I’m writing this week’s column with Matthew Sweet & Susanna Hoffs’ album Under the Covers: Vol. 1 (Shout! Factory, $15.98 SRP) on endless repeat on the CD player. Featuring covers (as the title implies) of 15 classic 60’s tunes (both well-known and less well-trod), it’s simply one of the best clutches of re-interpretations I think I’ve ever heard. You can tell when artists are really digging what they’re doing, and that joyous spirit permeates the whole album. The wait for Volume 2 is going to be a hard one.

I don’t know if it’s simply nostalgia or just the period in which they were created, but both A Boy Named Charlie Brown & Snoopy, Come Home (Paramount, Rated G, DVD-$14.99 SRP each) both hold up tremendously well. A Boy Named Charlie Brown was the first big screen foray for the Peanuts gang, followed a few years later by Snoopy. I can’t wait to show both of these to my little nephew, and can only hope Race For Your Life, Charlie Brown is on its way.

The late 70’s/eatly 80’s truly were a golden age of film comedy, spawning flicks that endure with brilliant combinations of script, cast, and direction. One such flick that still holds a special place in the pantheon is 9 to 5 (Fox, Rated PG, DVD-$19.98 SRP), which finally gets the special edition is deserves. In addition to a new anamorphic transfer, a retrospective featurette, a gag reel, deleted scenes, and an audio commentary (with Tomlin, Fonda, Parton, and producer Bruce Gilbert).

Hopefully, the shockingly well-executed relaunch of Doctor Who has gotten audiences interested in the Doctor’s classic adventures, and there’s no better starting place than, literally, Doctor Who: The Beginning (BBC, Not Rated, DVD-$49.98 SRP), which features the time traveler’s first three adventures (“An Unearthly Child,” “The Daleks,” and “The Edge of Destruction”) and stars William Hartnell in the title role. The 3-disc set is packed with commentaries, the unedited studio recording (with outtakes) of the pilot, behind-the-scenes and retrospective featurettes, a 30-minute condensed version of the lost story “Marco Polo,” galleries, and more.

Watching Patton Oswalt’s stand-up is like experiencing a comedic Trojan Horse. Beneath that affable, roly-poly, pal o’mine exterior is a sharp, sometimes brutal wit that can move quickly from pop culture esoterica to polarizing (and thankfully unapologetic) political views. If you want to see exactly what I mean, check out Patton Oswalt: No Reason to Complain – Uncensored (Paramount, Not Rated, DVD-$19.99 SRP) and you’ll see what I mean. The disc also features his original Comedy Central Presents spotlight, and deleted scenes.

If the wait for another volume of the chronological Peanuts collection is getting you down, you can fill the time with the second volume of the chronological Dennis the Menace (Fantagraphics, $24.95 SRP), featuring the year spanning 1953-1954 of Hank Ketcham’s legendary troublemaker. Running over 600 pages in a compact little hardcover (remember – Dennis was a single-panel strip), this volume features an introduction from R.C. Harvey.

It’s ironic that the Chronicles of Narnia-centric SNL sketch “Lazy Sunday” (starring Chris Parnell & Andy Samberg) pretty much sums up the best time to watch the not-as-good-as-it-should-be big screen adaptation of the first book in C.S. Lewis’s Narnia saga, The Lion, The Witch and The Wardrobe (Walt Disney, Rated PG, DVD-$34.99 SRP). In bringing the novel to life, Disney and director Andrew Adamson try so very hard to make an amalgam of Harry Potter and The Lord of The Rings – and create a cash cow franchise of their own – and the crass can’t help but show through the seams of the flick. It’s a shame, really, because a really fun, emotionally resonant movie is in there somewhere, even if I still detest the blatant Jesus lion of it all. As always, get the 2-disc collector’s edition, which features audio commentaries, bloopers, numerous behind-the-scenes featurettes, and more.

Brokeback Mountain (Universal, Rated R, DVD-$29.98 SRP) is one of those flicks that get swept up in and define a given year’s zeitgeist. I don’t know about you, but I must have seen more than a dozen parodies of Ang Lee’s tender forbidden love story about a pair of cowboys (Heath Ledger & Jake Gyllenhaal) forced to hide their secret passion over a decades-long relationship that encompasses loveless marriages (to Anne Hathaway & Michelle Williams) and the inability to quit each other. Is it a film for the ages? No, not really. It’s more a cultural landmark than a stunning piece of cinema, so there’s no doubt that it will have an afterlife far beyond that initial fervor, but as a film, I found it as measured as Lee’s previous pastoral flicks… And yes, even the annoyingly sedate cerebral bore that was the Hulk. Bonus features are limited to a trio of self-congratulatory behind-the-scenes featurettes.

It’s been years of waiting, but fans can finally end their long mope-affair with Dawson, Pacey, Joey, Shaggy, Zeppo, and Shemp via the 6th (and final) season of Dawson’s Creek (Sony, Not Rated, DVD-$49.95 SRP). The 4-disc set features an audio commentary on the finale from Kevin Williamson and Paul Stupin, plus a photo-filled scrapbook. Unfortunately, fans will have to keep their original DVD release of the finale if they want the extended version, since the air version is what’s found on the set.

Continuing their themed sets, the latest Star Trek: Fan Collective (Paramount, Not Rated, DVD-$39.98 SRP) features 12 episodes focusing on the trials and tribulations of time travel within the Trek universe. From the original series, there’s “Tomorrow Is Yesterday” & “The City On The Edge of Forever. The Next Generation messes with the timestream in “Yesterday’s Enterprise,” “Cause and Effect,” “Time’s Arrow” part 1 & 2, and “All Good Things.” From DS9 we get “Little Green Men” and “Trials and Tribble-ations.” We wrap things up with Voyager’s “Year of Hell” parts 1 & 2, and the finale, “Endgame.” The 4-disc set also features a trio of Okuda text commentaries on “Tomorrow Is Yesterday,” “Yesterday’s Enterprise,” and “Little Green Men.”

Hopefully, “Trials and Tribble-ations” and “Little Green Men” will whet your appetite for even more Deep Space Nine – second only to the original series in the quality of storytelling within the Trek universe. It’s understandable, then, that such a well-done series also have the most comprehensive – and fun – behind-the-scenes episode guides of the whole, featuring complete participation from the cast and crew. Trust me – pick up your own copy of the Star Trek Deep Space Nine Companion (Pocket Books, $27.95 SRP) and find out for yourself.

There’s something profoundly fascinating about Bob Dylan’s inexplicable years as a Born Again, a period which is chronicled in Rolling Thunder: The Gospel Years (Highway 61 Entertainment, Not Rated, DVD-$14.95 SRP). Featuring rare interviews and concert footage, it’s well worth a look for Dylan fans.

I appreciate Universal’s attempt to jump on the personality-centric release of catalogue titles that has proven such a success with Warner Bros. in recent years. Unfortunately, Uni has insisted that their presentation be done with atrocious, flaw-prone double-sided DVD-18 discs. Why won’t they learn? Besides that, it’s great to have the titles include in the Glamour Collection – spotlighting screen sirens Carole Lombard, Mae West, and Marlene Dietrich (Universal, Not Rated, DVD-$26.98 SRP each). The Lombard collection features Hands Across the Table, Love Before Breakfast, Man of the World, The Princess Comes Across, True Confession, and We’re Not Dressing. Dietrich contains Morocco, Blonde Venus, The Devil Is a Woman, Flame of New Orleans, and Golden Earrings. Finally, with West you get Go West Young Man, Goin’ To Town, I’m No Angel, My Little Chickadee, and Night After Night.

Anyone who even attempts to formulate an opinion on the decision-making that led us into Iraq – and the choices that were made in planning and executing the occupation – needs to read Cobra II: The Inside Story of the Invasion and Occupation of Iraq (Pantheon, $27.95 SRP), by Michael R. Gordon & General Bernard E. Trainor. Meticulously researched – including access to classified documents and the players involved – it’s a sobering lesson in hubris, ignorance, confusion, and self-delusion.

Try to put all thoughts of just how filthy a mind is housed within the once-harmless Bob Saget as you peer through the years at the far more innocent time encapsulated in the third season of Full House (Warner Bros., Not Rated, DVD-$29.98 SRP). Heck, it was even before the Olsen twins were billionaires with self-esteem issues, or Dave Coulier had an Alanis Morrissette song written about him.

Hop into the wayback machine and revisit the complete fourth seasons of a trio of 80’s “classics” – Magnum PI, The A-Team, and Knight Rider (Universal, Not Rated, DVD-$49.98 SRP each). Both Magnum and A-Team feature bonus episodes from their respective 5th seasons, while Knight Rider features K.I.T.T. blueprints.

Rodgers & Hammerstein aficionados will probably want to check out South Pacific: In Concert from Carnegie Hall (Decca, $18.98 SRP), featuring Alec Baldwin, Reba McEntire, and Brian Stokes Mitchell performing the songs from the show.

Keen to fill every conceivable niche with a themed box set of catalogue titles, Warners drops the Films of Faith Collection (Warner Bros., Not Rated, DVD-$29.98 SRP) just in time for the Easter season. Contained within the set are Audrey Hepburn’s turn as a wartime sister in The Nun’s Story, Anthony Quinn as a newly-minted pope in a world on the brink of nuclear war in The Shoes of the Fisherman, and The Miracle of Our Lady of Fatima. All three sets feature the original theatrical trailers, while Fisherman also contains a vintage behind-the-scenes featurette.

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Joe Corey’s PARTY FAVORS - 4/2006

Posted by Ken in Party Favors (April 1, 2006 at 11:39 pm)

NEWARK - We’re running out of stars!

That was the hideous message left on my machine from Augie. He was having a panic attack after reading in a supermarket tabloid that Brody Jenner was a star.

Who? Did you just google his name? Cause if you did, you’d see that this guy’s “star” status is based on his appearing on the crappy Fox series “Princes of Malibu.” This was a show so bad that their mother filed for divorce after the first show hit the airwaves. This is a show so bad that Fox yanked it after two episodes and ran it on something called “Fox Reality.” Does this channel exist? My DVD player probably has higher viewership. And isn’t Fox and Reality an oxymoron when put together?

How exactly is someone called a star with that track record? A “Stigma is Born” should be the proper title. Brody and his twin brother Brandon are the sons of Bruce Jenner - the Gold medal decathlon plastic surgery disaster and Linda Thompson, best known as Elvis’ girlfriend. The brothers lived with their stepdad David Foster, a man who makes music only a proctologist can love. The point of the show was Foster wanted them to earn something besides coasting on their looks and genes. And America told the brothers to hit the cheese line.

And yet, in the media and on the wire, Brody Jenner was called a “star.” He was called a “Reality TV star” in reference to a girlfriend that supposedly hooked up with Nick Lachey. As much as I despise Paris Hilton, she was a reality TV star. Her Fox series pulled in good ratings. Brody Jenner’s show only pulled the plug.

When the media has to dip to Brody Jenner, it’s easy to see that we’re really in a blight of star power. Look at the magazines. It’s like the same dozen people rotated through the covers. Even the party scene is so star-light, but it wouldn’t admit it. Watch VH1 when they do the “hottest clubs” specials. Each person gushes that a club is so hot because the same dozen people party there. Is there anything special about Sean Combs, Justin Timberlake, Lindsay Lohan, Tyra Reid or Paris Hilton coming to your club? It’s the same comp crowd. I wanna know when I go to Vegas, where does Peter Boyle party into the night? Where am I going to find Robert Pine cracking a bottle of Jim Beam and sharing it with anyone who calls him Sgt. Getraer?

Enough Brody Jenner. Let me find a woman willing to dump Nick Lachey for Stephen Tobolowsky! Why isn’t Tobolowsky’s private life on the cover of Us Weekly? He’s probably as wicked as Richard Dawson.

By the way, the woman who was between Nick and Brody is Kristin Cavalleri. Once again, I ask who? And the answer is that she’s also a reality whore from “Laguna Beach.” Although since she’s on that show, she should be considered an actress.


I was shocked when I clicked over to IFC to discover the channel was gone. Also missing was the Game Show Network. What the hell had happened to my once wonderful digital tier? It was bad enough when Trio collapsed, but this was too much.

Then I found out that Time Warner Cable has decided to stick it to me. For only an extra charge, I can get my channels back. Of course they were stuck in two different packages. The Digital Sports & Games collection includes Speed, Outdoor Channel, Fox College Sports (three time zones), Tennis Channel, Fuel, College Sports TV and the Game Show Network. Can we break out a Sesame Street. Which of channels doesn’t really belong? Why did Charles Nelson Riley get lumped in with extreme college sports? I don’t want the Tennis Channel. I want Match Game, TW Bitches. The other package features Flix (2 channels), Sundance (2 channels), Fox Movie Channel and IFC. At least those make sense.

While Time-Warner-UberAlles only wants $2.95 per package per month, I’m not in the mood to give it to them. How much of my money do they really want? Why don’t they quit nickel and diming me and just put a total on the table so I can spit in their face all at once.

And if you know the Time Warner Cable vice president that packaged this bull, spit in their face and tell ‘em, “Joe Corey says, ‘Taste the good life, bitches.’”

And do you know who gets hurt by this crap? The memory of Gene Rayburn. It’s a shame a guy like Time-Warner CEO Dick Parsons is a greedy bastard. I wonder how much he’d force his grandma to pay for cable.


After talking about Allan Havey’s latest role on Fox’s “Free Ride” in last month’s column, guess who emailed us?

“Thanks for the mention on your cool website.”
–Allan Havey

Please watch the show if you get a chance. It’s a shame that Fox has it going head to head with “The Sopranos,” “Cold Case,” “Law and Order: Criminal Intent” and “Desperate Housewives.” You won’t forget the Dove!


HBO’s “Big Love” is such a lie.

It’s not that I don’t think there a poligamous families across America - especially in the Utah/Arizona area. I’ve seen lots of news reports, documentaries and Springer episodes about how they live. But I’ve yet to see a group family that looks as good as Bill Paxton with his wives of Jeanne Tripplehorn, Chloe Sevigny and Ginnfer Goodwin. Whenever they show Poly folks on TV, they always look like Springer people. Or they look like the elderly women from the “Andy Griffith Show.” And that’s not saying the husbands are prize winners themselves. They look more like Fred Mertz.

And what’s up with the bad fashions at these poly towns in the desert? They make Strawberry Shortcake look like a slut. If I’m going to have a couple of hot wives, they’re going dress like Ice T’s coming to town.

If there’s one thing that “Big Love” gets right, it’s the casting of Harry Dean Stanton as the creepy cult leader. Just give the frickin’ Best Supporting Emmy to Harry before he shows up and marries your daughter!

And how refreshing it is to see Harry getting to not only go head to head with Paxton, but Bruce Dern also tussles with the cult leader.

The only bad part of the show is there’s just way too much Bill Paxton ass. Is Bill having a competition with Kevin Bacon for rump romps? Bacon by the way must have spent every other scene flashing his rear in “Where the Truth Lies.” Why don’t these two come out with their own Buns of Steel workout?

Although I can handle Bill’s ass when it’s in the same shots as Chloe Sevigny. She’s perfect as Harry Dean’s semi-wayward daughter that’s now married to Bill. She nails the manipulative angles without twisting her mustache.

Has it really been over a decade since Chloe entered our cinematic lives? HBO’s been running “Trees Lounge,” one of her early flicks. She’s one of the most deceptive actresses of our times. She’s like Dean Martin with her effortless delivery and yet there’s nothing light about her results when the moment calls for impact.


What happened to the promise from the producers that this season’s “L Word” was going to be more fun? The last 12 episodes were about as fun as watching open heart surgery on the Discover Channel. Where was the girl-girl love? Where was hot tubs and showers?

Instead we had to deal with divorces, steroids and death.

Can I just say that the hottest actress on TV is Sarah Shahi? But even as Carmen, the hot DJ gal, she wasn’t getting it on enough. I want the producers of the L Word to swear that the fourth season will focus on Sarah getting laid every episode. Show us the love.


I’m creeped out watching the trailer for “Benchwarmers.” Not merely because it looks like a stupid movie, but there’s Napoleon Dynamite (Jon Heder) being mauled by the bad comic skills of David Spade, Rob Schneider and Jon Lovitz. They’re like a pack of vampires sucking the heat out of Heder and sustaining their own pathetic careers (something Madonna practices on a yearly basis - look what has happened to Britney Spears since the MTV kiss). It’s like the scene where Dracula’s brides sink their fangs into Keanu Reeves. Except these pathetic SNLers aren’t nearly hot or watchable.

I haven’t seen this much fresh meat lust on the screen since Tom Arnold tried to buttrape Ed Furlong in “Animal Factory.” The trio of SNL washups had best not drain Heder of anything that made him special.

I won’t be seeing this since it’ll probably be rerun to death on Comedy Central. I also refuse to give any money to a film featuring the NFL’s answer to Barry Bonds - Bill Romanowski. Why exactly is this roid freak being given a second career? Why didn’t they just cast O.J. Simpson and Robert Blake?


Phil Morrison’s “Junebug” has to be the worst film about the South since “Dukes of Hazzard.”

I was hoping to like this film. I’ve met Phil, a former Tarheel who now makes his cash directing commericals in New York City. Phil did my old roomie’s video (the band was Motocaster). And Phil returned to make his movie about the South in Winston-Salem (after I fled the city of Camel cigarettes and Krispy Kreme donuts) instead of going to Canada (like someone I won’t name here).

It should have been an easy job to make me relate to the film since I’ve lived on the location. The movie was about a woman in Chicago who hurriedly marries a Southern guy that she met at her art gallery during an auction. After six months of marriage, they come down South to meet his family. She’s trying to represent a Winston-Salem area artist that’s based on the late Rev. Howard Finster (he did the covers for R.E.M.’s “Reckoning” and The Talking Heads’ “Little Creatures”). Before we talk about the movie, let’s address the Finster situation.

In the movie Morrison made the “outsider” artist insane and a bigot. Thank goodness we were able to have a sweet white man dropping the N-word and deciding to not go with an art dealer because they’ve got Jews in the gallery. Wouldn’t be a Southern film without the insane cracker. In interviews, Morrison talked about having slept on Finster’s sofas. Is he saying that Finster hated Jews and didn’t mind dropping N-bombs around the house? Why didn’t Morrison have his artist character molest his daughter? Thanks for uplifting your kinda folks, Phil.

But the artist character isn’t the only waste of space on the screen. That troubled blond boy from the O.C. (Ben McKenzie) is supposed to be Southern by slapping a mustache on his puss and a trucker cap for the Panthers on his dome. Squidbillies are more authentic Southerners than him. And for those of you who are going to point out that Ben McKenzie is from Austin, Texas, let me let you in on a secret - Texas is not the South - it’s Texas.

Key emotional points are skipped all over the place. At first you can write it off as “the artist at work.” But in my real film experiences, it normally means that the scenes died on the screen so badly that it was easier to confuse the audience than insult them with crap.

All I kept hearing about this film was how “realistic it is.” There’s a scene where the father can’t find his phillips head screwdriver. I’ve lived the reality of that world when dad can’t find his screwdriver. And it isn’t this fantasyland “Junebug” creates. Dad doesn’t quietly look. In reality, dad doesn’t ask, “If I was a screwdriver, where would I be.” In reality, dad yells, “Why did you touch my tools? What did you do with my screwdriver!”

There’s a scene where the family goes to the church for a dinner. The minister talks to the couple and forces the husband to sing. But at no point does the minister ask how they got married and remind them that they need to get married in their church in order to be right with the Lord.

Early in the film, the pregnant Ashley (Amy Adams) announces to her mother-in-law that she had lost two pounds and the day before had only eaten a hotdog. And the mother-in-law just doesn’t care. I don’t know any real mother-in-law that wouldn’t have flipped out upon hearing such a declaration. Here is this movie about family being important yet the family doesn’t seem to care about the health of this woman and the baby inside her. And when the predicted ending hits (my wife guessed it right after the hotdog announcement), we’re supposed to believe this matters to the family? Morrison should be embarrassed for halfbacking cornbread moment. Adams is great as the talkative girl, but she’s got so little to play off. I had a sense that if this concept was retooled, it could be a follow up to Carson McCullers’ “Member of the Wedding.”

I didn’t like how he had the O.C. boy working at Replacements, Ltd. This is a place that buys and sells used China for out of production collections. There’s a story to all those plates, cups and saucers that O.C. boy packs up. How did they end up in that warehouse? A death? A divorce? A change of life? And why does someone need to replace their China? A divorce? Clumsy kids? Never got around to getting the gravy boat? There’s stories in those shelves. But the movie doesn’t care. He could have had the guy working the line at Krispy Kreme.

Sure the film name checks Cheerwine and Zingers. But there’s very little authentic reality in this alleged Southern film. This is a film that passes itself off as a small bit of beauty, but it’s mostly pretty vacant.


If you’re an adult and you enjoyed “March of the Penguins” and “Winged Migration,” then you should rent “The Wild Parrots of Telegraph Hill.” Its a great documentary about a guy who was “caretaker” to parrots that flock around the San Francisco landmark. Think of it as a happy version of “Grizzly Man” except the unemployed animal expert in “Wild Parrots” doesn’t meet the same fate as Timothy Treadwell. It’s an “up” nature documentary although it deals with the harsh mortality of these birds that go from wild, to capture to wild again. Put it in your Netflix queue.

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